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Breakdowns from the school curators: composition and perspective, colour theory, proportions, stylisation. And separately on the profession — how to build an ArtStation portfolio, what art directors ask at interviews and what an artist actually does at a game studio.
Time runs short not because there is too little of it but because of how attention is spread. Anna Vinokurova describes how to build a practice around a job and a family — in short sessions, without heroics and without burnout.
Three drawing exercises from the school's art director Elizaveta Parfenova: line studies of simple objects from life, timed speedpaints and colour transcriptions from paintings. Each takes little time, so you can do them daily.
